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I am a husband and a father and writing is my passion. Check out www.kennethwbarber.com for up to date info about me and to purchase copies of my work.

Daily Writing Tip


How to Reverse-Outline Your First Draft

You know that producing an outline is an effective strategy for helping you organize your writing. Whether the content is a novel, an interview, a review, or any other form of prose, preceding the actual writing with some sort of framework — a hierarchical vertical list, a bullet list, an interconnected web of words or phrases — provides a structural scheme.
But have you ever used a reverse outline?
A reverse outline is an evaluative tool you create after you’ve written the content. Although any kind of outline is suitable for this task, for your first reverse outline, use the traditional roman numeral/roman alphabet structure.
If you’re reverse-outlining a novel or an essay of more than a few pages, start with a single chapter or a section so you don’t overwhelm yourself.
Number each paragraph. On a separate sheet of paper, or in a new online file, list the main point (I), followed by the ancillary points (A, B, C). Rinse and repeat, on or in a single document, for each paragraph.
Once you’ve completed the outline, review it and determine whether a paragraph is weighed down by more than one point, whether the points you’ve identified are the ones you want to emphasize, and whether any points are superfluous or misplaced.
In addition, consider whether the outline’s organization, and by extension the chapter or article’s organization, reflect your intentions. If not, decide whether you need to revise your intent or the output. (Hint: It’s much easier to adapt a topic or a thesis statement to a piece of writing than the reverse.)
Reverse outlining helps you reorganize not only paragraphs but also the entire work. On a paragraph level, determine whether you need to combine, divide, insert, delete, or move. For the work as a whole, revise as necessary to build an argument or carry a narrative.
Repeat the process as necessary for a longer piece — and if, for example, an extensive article has five sections that you’ve reverse-outlined in as many steps, reverse-outline the whole article as well.
www.dailywritingtips.com

Sentinel

Hi-yo loyal followers. It's been some time since my last post and for that you have my deepest apologies. This is a short story that was dissected out of a longer unpublished novel. I am submitting it to a contest and wanted to share it with my followers and get any feedback you feel like sharing. Thanks and Happy Reading!



The night was a living thing. Asher moved through it with a fluid grace. His prey was elusive, but he would find it. He would find it and he would kill it. His eyes pierced the darkness, laying bare a landscape ghosted with pale moonlight. That was enough for Asher’s senses. He blazed across the forested countryside like a painters brush across a canvas, swift and sure.  The humid night air stroked his skin with the feather light caresses of a lover. The black sky arced overhead, broken by the twinkling of a myriad of stars. A dense fog was beginning to roll in off of the nearby lake, but that was no obstacle, he could track by scent as easily as sight.
As he moved deeper into the forest he caught a metallic odor, instinctively slowed and came to a standstill, pausing in his urgent pursuit. He knew that scent, human blood. Far too often had he experienced it, yet it still filled him with dread. Testing the air with all of his senses, Asher located the source of the unpleasant aroma and moved toward it. A short distance to the left of his original path, he found the body. She was so young, he sighed to himself. The woman’s flesh was ravaged by terrible gashes, her left leg was missing from a point just above the knee and half of her head on that same side had been chewed to an unrecognizable mess. He crouched beside the mangled corpse.  The sharp, ferrous scent of her blood assaulted him. He flared his nostrils at the offensive odor, looked sadly at the body and sighed. The women were always the worst. At least he could pretend to himself that men had some kind of a fighting chance.
Shaking his head slightly Asher reached into the right cargo pocket of his fatigues and retrieved a small plastic case. Tripping the latch he revealed a miniature blood analysis kit. With a great sense of urgency he used a syringe to collect a small amount of blood from the poor woman’s body. He wanted to continue his pursuit, but he had to know if the woman would turn. The change was different for each person infected. It could be nearly instantaneous, or it could take as long as several hours. He had to know, he couldn’t leave a potential Bakkan behind him.
Depositing the blood into a vial he added a chemical agent, sat back on his heels and swirled the suspension in his hand like a living centrifuge. Nothing happened. Asher sighed in relief. This one wouldn’t turn. She was truly dead. Lucky for her. Saying a quick prayer for her soul he stood and just stared at the body indecisively for a moment. He knew that this woman was simply dead, not infected, but every fiber of his being screamed at him to take off her head. He fought against the instincts that decades of hunting these nightmares had instilled in him and left the woman’s body without desecrating it. Sea blue eyes scanned the forest around him but found no further indications of his quarry. With a final glance and a silent prayer that no other innocents found themselves in the path of this monstrosity, he resumed the chase. No matter what, he must reach the Sleeper first.
A howl pierced the darkness. Tearing through the stillness like a shard of glass through flesh, not clean and precise, but rough and violent, leaving a gaping hole with jagged edges bleeding fear in the night.  Asher’s pulse quickened as the cry called to the hunter in his blood. That’s what he was, of course. A hunter. A killer in fact.  He swiftly resumed pursuit of his deadly foe. He had a charge of protection this night and he would not fail.  The clay filled earth was firm beneath his booted feet as he raced onward into the gloom.
As his instincts followed the trail of his prey his mind wandered. Jeremiah had sent him to make sure that this Sleeper remained safe. His conversation with Jeremiah replayed itself in his mind.
“This man must be protected,” Jeremiah had said. “He is very important. He doesn’t know who he is, and I am not yet ready to reveal my suspicions, but it is my firm belief that Griffin Dade will play a pivotal role in our war. He is unique. Find him and keep him safe.”
“I will Jeremiah,” Asher had replied.
Jeremiah was a great man, and Asher held a great regard and respect for him. When Asher had first Awakened, it had been Jeremiah who had taken him under his wing and trained him in the ways of their order. The sensory overload he experienced had been devastatingly painful. Jeremiah had been his lifeline. The lessons had not been easy, for Jeremiah was a demanding taskmaster. Asher understood, however, that Jeremiah’s seeming hardness was so that he would learn the skills he needed to survive in his new world.
Asher chuckled to himself. And what a world it is, he thought. He had been so naïve before his Awakening. He thought then that the world was so simple to understand and that he knew his place in it. How wrong he had been. His body had undergone drastic changes and his emotional state had been fragile during the process. Several times he had lashed out in fury at Jeremiah and the others who had been trying to help him cope and adjust. If they had been normal humans, he might have killed them.
A naturally occurring Awakening was seldom an easy or pleasant experience, especially considering that the most common trigger for the change was the stress associated with some kind of life threatening event. Asher thought back to his own Awakening. He had been twenty-one years old. A night of drinking, driving too fast, add icy roads…well, two plus two equals four, as they say. The next thing Asher had known he was upside down in a ditch inside a mass of twisted, smoking metal that only vaguely resembled the Chevy pickup truck  it had once been. As he had looked around dazedly, he had seen a trail of gasoline outside the car. Smoke had filled the air and he had known he was going to die.
What had happened next was unbelievable. Asher had felt his skin begin to itch and tingle. His pulse had quickened to an uncomfortable rate. His breathing had become erratic. Sweat had poured from every pore of his body. Strange things had started happening to his eyes. Odd colors were swirling and flashing before him. The sound of his own heartbeat had rung sharply in his ears. Suddenly, he had felt as if he couldn’t keep still and he began to jerk and thrash in a crazed attempt to dislodge his body from the deathtrap that contained it. Asher had thrust his leg at the crumpled door and watched in shock as it ripped off the car and crashed to the earth twenty feet away. Grasping his jammed seat belt Asher had wrenched it from its moorings and then thrown himself from the burning vehicle. He had run as fast as he could to escape the fate that tried so desperately to claim him. When he heard the explosion he had stopped and looked back. Surprisingly, he had traveled several hundred yards in just a few moments.
The flames had looked remarkable. He could see colors in them he had never noticed before, odd intermingling of blue, red and yellow. It had been beautiful in a surreal, macabre way. And the smell had been overwhelming. Asher remembered how he had felt that night so long ago. That had been in July of 1937. Jeremiah had found him shortly after as he struggled to adapt to his newfound abilities and he had been a member of the Order ever since. He thought back to that first meeting with the man who would become his mentor and his friend.
Life in the Order had always been challenging, but things had been unusually bad lately. This was his third hunt in the past two months. Asher hadn’t seen such prolific activity in the past seventy years. Many debates had raged in council as to the cause, but no one really knew. The beasts they hunted were normally very rare. In fact, in recent years Asher had begun to harbor a secret hope that perhaps they were going extinct. It appeared, however, that such was not the case.
Another cry rang out in the stillness. Asher refocused and increased his pace. He must reach the beast before it killed again. Suddenly he caught some new scents floating on the muggy night air. One was a lesser variant of the musky animal trail he tracked, clouded with harsh chemical overtones. That would be a human. There was also another scent. This one smelled more like teakwood than musk. It must be Griffin Dade, the Sleeper. Asher’s heart began to pound. He must reach the Sleeper ahead of the beast he hunted. His Order was always too few in number and any Sleepers they discovered must be protected in the hopes that they might Awaken and join the fight. Of course all humans were precious and the Order struggled endlessly to keep them safe, but Sleepers were a rare commodity.
Asher glided through the fog shrouded trees. He moved easily through the inky blackness, slicing through the cool, dark night like a scythe through a field of wheat. He could now make out the sounds of a struggle not far ahead of him and he prayed that he was not too late. Suddenly he found himself in a small glade. Locking his knees he skidded to a stop as he saw a great dark body hurtling through the air toward him. Dodging to the side he barely avoided the monstrous beast he had been tracking as it slammed into a huge oak with enough force to crack bones. Shocked, he looked to the center of the glade. A young man was standing there. He was seeping blood from several deep bites on his shoulders and arms.
There was movement from the beast. It sprang to its feet and snarled in rage. As it bunched its muscles to spring at the young man, Asher threw himself toward the giant predator…

Daily Writing Tip

100 Whimsical Words

The English language can be maddening to native speakers and learners alike, but is also delightfully rich, especially for those who seek to convey a lighthearted tone in their writing. Here are 100 words it’s difficult to employ without smiling. Though their meanings may be obscure, they each present a challenge — I mean an opportunity — for you to paint a vivid word picture. Imbue your musings with mirth by incorporating these terms:
absquatulate: to flee, abscond
abstemious: restrained in consumption of food and alcohol
balderdash: nonsense
ballyhoo: commotion, hype
bindle stiff: hobo
bodacious: remarkable, voluptuous
borborygmus: sound of intestinal gas
cahoots (in the expression “in cahoots with”): scheming
callipygian: possessing a shapely derriere
cantankerous: irritating, difficult
carbuncle: pustule
caterwaul: to wail or protest noisily
cattywampus: in disarray
cockamamie (also cockamamie): ridiculous
comeuppance: just deserts
concupiscent: possessed of erotic desire
copacetic (also copasetic, copesetic): satisfactory
curmudgeon: ill-tempered (and often old) person
debauchery: sensual gratification
doohickey: gadget or attachment
effluvium: unpleasant smell
factotum: all-around servant or attendant
farrago: confused mixture
festoon: to decorate; dangling decorative chains
finagle: to trick
fisticuffs: fighting with fists
flabbergasted: dumbfounded
flagitious: villainous
flibbertigibbet: flighty person
flummoxed: confused
foible: fault
folderol: nonsense
foofaraw: flash, frills
fusty: moldy, musty, old-fashioned
gallimaufry: mixture, jumble
gallivant: to jaunt or carouse
gobbledygook: nonsense, indecipherable writing
haberdasher: men’s clothier; provider of sundries
harridan: shrewish woman
higgledy-piggledy: in a disorganized or confused manner
high jinks (also hijinks): boisterous antics
hodgepodge: mixture, jumble
hokum: nonsense
hoodwink: to deceive
hoosegow: jail
hornswoggle: to dupe or hoax
hortatory: advisory
hullabaloo: uproar
ignoramus: dunce
imbroglio: confused predicament
jackanapes: impudent or mischievous person
jiggery-pokery: deceit
kerfuffle: disturbance
lackadaisical: bereft of energy or enthusiasm
loggerheads (in the expression “at loggerheads”): quarrelsome
lollygag: to meander, delay
loquacious: talkative
louche: disreputable
lugubrious: mournful, dismal
malarkey (also malarky): nonsense
maleficence: evil
mendacious: deceptive
oaf: clumsy or stupid person
obfuscate: confuse, obscure
obloquy: condemning or abusive language, or the state of being subject to such
obsequious: flattering
orotund: sonorous, or pompous
osculate: to kiss
paroxysm: convulsion or outburst
peccadillo: minor offense
periwinkle: light purplish blue; creeping plant; aquatic snail
perspicacious: astute
pettifogger: quibbler; disreputable lawyer
poltroon: cowardly, coward
prognosticate: to predict
pusillanimous: cowardly
raffish: vulgar
ragamuffin: dirty, disheveled person
rambunctious: unruly
resplendent: brilliantly glowing
ribaldry: crude or coarse behavior
rigmarole (also rigamarole): confused talk; complicated procedure
ruckus: disturbance
scalawag: scamp
scofflaw: lawbreaker
shenanigans: tricks or mischief
skedaddle: flee
skulduggery: devious behavior
spiffy: stylish
squelch: to suppress or silence; act of silencing; sucking sound
subterfuge: deception, or deceptive ploy
supercilious: haughty
swashbuckler: cocky adventurer; story about the same
sylph: lithe woman
tatterdemalion: raggedly dressed person; looking disreputable or decayed
termagant: shrewish woman
whirligig: whirling toy; merry-go-round; dizzying course of events
widdershins (also withershins): counterclockwise, contrary
willy-nilly: by force, haphazardly

Shakespeare's impact on modern language

Barry Manilow may claim to write the songs, but it was William Shakespeare who coined the phrases. He contributed more phrases and sayings to the English language than any other individual - and most of them are still in daily use.
Here's a collection of well-known quotations that are associated with Shakespeare. Most of these were the Bard's own work, but he wasn't averse to stealing a good line occasionally and a few of these were 'popularised by' rather than 'coined by' Shakespeare.
A countenance more in sorrow than in anger
A Daniel come to judgement
A dish fit for the gods
A fool's paradise
A foregone conclusion
A horse, a horse, my kingdom for a horse
A ministering angel shall my sister be
A plague on both your houses
A rose by any other name would smell as sweet
A sea change
A sorry sight
Age cannot wither her, nor custom stale her infinite variety
Alas, poor Yorick! I knew him, Horatio
All corners of the world
All one to me
All that glitters is not gold / All that glisters is not gold 
All the world's a stage, and all the men and women merely players
All's well that ends well
An ill-favoured thing sir, but mine own
And shining morning face, creeping like a snail unwillingly to school
And thereby hangs a tale
As cold as any stone
As dead as a doornail
As good luck would have it
As merry as the day is long
As pure as the driven snow
At one fell swoop
Bag and baggage
Beast with two backs
Beware the ides of March
Blow, winds, and crack your cheeks
Brevity is the soul of wit
But screw your courage to the sticking-place
But, for my own part, it was Greek to me
Come the three corners of the world in arms
Come what come may
Comparisons are odorous
Cry havoc and let slip the dogs of war
Dash to pieces
Discretion is the better part of valour
Double, double toil and trouble, fire burn, and cauldron bubble
Eaten out of house and home
Et tu, Brute
Even at the turning of the tide
Exceedingly well read
Eye of newt and toe of frog, wool of bat and tongue of dog
Fair play
Fancy free
Fie, foh, and fum, I smell the blood of a British man
Fight fire with fire
For ever and a day
Frailty, thy name is woman
Foul play
Friends, Romans, Countrymen, lend me your ears
Good men and true
Good riddance
Green eyed monster
Hark, hark! the lark at heaven's gate sings
He will give the Devil his due
Heart's content
High time
His beard was as white as snow
Hoist by your own petard
Hot-blooded
Household words
How sharper than a serpent's tooth it is to have a thankless child 
I bear a charmed life
I have not slept one wink
I see you stand like greyhounds in the slips
I will wear my heart upon my sleeve
If music be the food of love, play on
In a pickle
In my mind's eye, Horatio
In stitches
In the twinkling of an eye
Is this a dagger which I see before me?
It beggar'd all description
It is meat and drink to me
Lay it on with a trowel
Lie low
Like the Dickens
Love is blind
Make your hair stand on end
Men's evil manners live in brass; their virtues we write in water
Milk of human kindness
Misery acquaints a man with strange bedfellows
More fool you
More honoured in the breach than in the observance
Much Ado about Nothing
Mum's the word
My salad days
Neither a borrower nor a lender be
Night owl
No more cakes and ale?
Now is the winter of our discontent
O Romeo, Romeo! wherefore art thou Romeo
Off with his head
Oh, that way madness lies
Once more unto the breach, dear friends, once more
Out of the jaws of death
Pound of flesh
Primrose path
Rhyme nor reason
Salad days
Sans teeth, sans eyes, sans taste, sans everything
Screw your courage to the sticking place
Send him packing
Set your teeth on edge
Shall I compare thee to a summer's day?
Short shrift
Shuffle off this mortal coil
Smooth runs the water where the brook is deep
Some are born great, some achieve greatness, and some have greatness thrust upon 'em
Something is rotten in the state of Denmark
Star crossed lovers
Stiffen the sinews
Stony hearted
Such stuff as dreams are made on
The course of true love never did run smooth
The crack of doom
The Devil incarnate
The game is afoot
The game is up
The quality of mercy is not strained
The Queen's English
The slings and arrows of outrageous fortune
The smallest worm will turn, being trodden on
There's method in my madness
Thereby hangs a tale
This is the short and the long of it
This is very midsummer madness
This precious stone set in the silver sea, this sceptered isle
Though this be madness, yet there is method in it
Thus far into the bowels of the land
To be or not to be, that is the question
To gild refined gold, to paint the lily
To sleep: perchance to dream: ay, there's the rub
Too much of a good thing
Truth will out
Under the greenwood tree
Uneasy lies the head that wears a crown
Up in arms
Vanish into thin air
We few, we happy few, we band of brothers
We have seen better days
Wear your heart on your sleeve
What a piece of work is man
What's in a name? That which we call a rose by any other name would smell as sweet
When sorrows come, they come not single spies, but in battalions
Where the bee sucks, there suck I
While you live, tell truth and shame the Devil!
Who wooed in haste, and means to wed at leisure
Wild goose chase
Woe is me

source  http://www.phrases.org.uk/meanings/phrases-sayings-shakespeare.html 

Valentines Romantic Books


To get lost in the beautiful world of love and romance, there can be no better idea than to check out some Valentines romantic books. In this section, we will provide you information about the popular novels on love & romance.

Here is given the list of top romantic books for Valentine's Day:


Daily Writing Tip

Elmore Leonard: 10 Rules


Elmore Leonard started out writing westerns, then turned his talents to crime fiction. One of the most popular and prolific writers of our time, he’s written about two dozen novels, most of them bestsellers, such as GlitzGet Shorty,Maximum Bob, and Rum Punch.  Unlike most genre writers, however, Leonard is taken seriously by the literary crowd.

What’s Leonard’s secret to being both popular and respectable? Perhaps you’ll find some clues in his 10 tricks for good writing:   * 

  1.  Never open a book with weather.
  2.  Avoid prologues.
  3.  Never use a verb other than "said" to carry dialogue.
  4.  Never use an adverb to modify the verb "said”…he admonished gravely.
  5.  Keep your exclamation points under control. You are allowed no more than two or three per 100,000 words of prose. 
  6.  Never use the words "suddenly" or "all hell broke loose."
  7.  Use regional dialect, patois, sparingly.
  8.  Avoid detailed descriptions of characters.
  9.  Don't go into great detail describing places and things.
  10.  Try to leave out the part that readers tend to skip.
 My most important rule is one that sums up the 10.
 If it sounds like writing, I rewrite it.
 * Excerpted from the New York Times article, “Easy on the Adverbs, Exclamation Points and Especially Hooptedoodle”

Daily Writing Tip


10 Writing Tips from the Masters

william wordsworth
As the world becomes increasingly digital, writing becomes more important. This is especially true for non-writers. If you work in an office, the majority of your communications are made with text by email or IM.Whether you like it or not, your ability to exchange ideas, collaborate with others, and ultimately succeed, hinges on the ability to write effectively.Earlier this week, K. Stone laid out a process to help you write faster, better, and easier. To follow up, here are 10 timeless tips to help you improve style and substance, straight from the pens of humanity’s finest authors.

Writing Tips

1. Cut the boring parts
I try to leave out the parts that people skip. ~Elmore Leonard
Unless you’re writing for personal reasons alone, you need to consider the attention of your readers. There’s no point is publishing content that isn’t useful, interesting, or both.2. Eliminate unnecessary words
Substitute “damn” every time you’re inclined to write “very;” your editor will delete it and the writing will be just as it should be. ~Mark Twain
I used to feel that using words like “really”, “actually”, or “extremely” made writing more forceful. It doesn’t. They only get in the way. Cut them and never look back.3. Write with passion
Fill your paper with the breathings of your heart. ~William Wordsworth
It’s not hard to realize that unless you’re excited about your writing no one else will be.4. Paint a picture
Don’t tell me the moon is shining; show me the glint of light on broken glass. ~Anton Chekhov
Simply stating something is fine, but when you need to capture attention, using similes, metaphors, and vivid imagery to paint a picture creates a powerful emotional response.5. Keep it simple
Vigorous writing is concise. ~William Strunk Jr.
Maybe it was all those late nights, struggling to fill out mandatory 10 page papers, but many people seem to think that worthwhile writing is long and drawn out. It’s more difficult (and effective) to express yourself in the simplest possible manner.6. Do it for love
Write without pay until somebody offers to pay. ~Mark Twain
When you’re just starting out it’s hard to decide where to begin. So don’t. Just start writing. A blog is a good place to start. The most valuable benefit is the feedback.7. Learn to thrive on criticism
You have to know how to accept rejection and reject acceptance. ~Ray Bradbury
Writing means putting yourself at the mercy of anonymous hecklers and shameless sycophants. Learn to make the most of the insults and distrust the praise.8. Write all the time
Quantity produces quality. If you only write a few things, you’re doomed. ~Ray BradburyThe way you define yourself as a writer is that you write every time you have a free minute. If you didn’t behave that way you would never do anything. ~John Irving
9. Write what you know … or what you want to know
If any man wish to write in a clear style, let him be first clear in his thoughts; and if any would write in a noble style, let him first possess a noble soul. ~Johann Wolfgang von GoetheLearn as much by writing as by reading. ~Lord Acton
Successful writing is all about trust and authority. It makes sense to write about your area of expertise. If you don’t have an expertise, reading and writing is the best way to develop one and put it on display.10. Be unique and unpredictable
I owe my success to having listened respectfully to the very best advice, and then going away and doing the exact opposite. ~G.K. ChestertonConsistency is the last refuge of the unimaginative. ~Oscar WildeZest. Gusto. How rarely one hears these words used. How rarely do we see people living, or for that matter, creating by them. Yet if I were asked to name the most important items in a writer’s make-up, the things that shape his material and rush him along the road to where he wants to go, I could only warn him to look to his zest, see to his gusto. ~Ray Bradbury
Following what works will only get you so far. Experiment with new styles, even if it means taking criticism. Without moving forward, you’ll be left behind.